Tuesday, 26 February 2013

List of animations (Sue)


Family guy
South Park
Simpsons
American Dad
Toy story
Shark Tale
Tom & Jerry
Ice
Wreck It Ralph
Naruto
Finding Nemo
Avatar (Film)
Avatar: Legend of Ang
Phineas & Ferb
Yu-gi-oh
Teen Titans
Totally Spies
Mona the Vampire
Pink Panther
Kim Possible
Looney Toons
He- Man
Fairly Odd Parents
Madagascar
Mickey Mouse Clubhouse
Billy & Mandy
Adventure Time
Regular Show
Chicken Little
Spiderman
Batman
Scooby-Doo
Spongebob Squarepants
Bolt
Toy Story 2
Toy Story 3
Abatha
Daria
Bob’s Burger
Shrek
Noddy
Pinky & The Brain
Incredibles
Popeye
Ed, Edd & Eddy
Wall-E
Alladin
Samurai Jack
Astro-Boy
Monster’s Inc
Powerpuff Girls
Dragonball Z
Stuart Little
Code Lyoko
Galactic Football
Codename: Kids Next Door
Space Jam
Futurama
Proud Family
Pokemon



Frame rates (videos)





Frame Rates

Frame Rates Experiment and what I've leaned about frame rates:

In class I experimented with frame rates, I learnt that a frame rate is the frequency (number) of individual images taken or shown per second. Although the method is a lot more time consuming it clearly has high potential for many effects usable in film and animation. It first came about using images of a horse shot by many cameras activated by trip-wires in a sequence.  The animation I captured worked using the Pi phenomenon which is when our brains can put together images that appear to not link or be necessarily the same.

I experimented with faster and slower animations and discovered that the faster animation used a less number of frames per second whilst the slower animation used more and also lasted longer, It had a slow motion effect on the images.

Monday, 11 February 2013

Evaluation (Sue)


Evaluation – Kleenex Advert


For my task, my partner and me had to produce an advert. Our first idea was to approach the advert foundation from a simplistic yet highly affective and relevant aspect. The idea to shoot an advert for Kleenex’s new range of tissue came due to Britain’s current weather state and how it had been affecting me as well as the people around me. We finally agreed that it would be a Kleenex advert which lead us onto the new task of brainstorming, drawing the story board and arranging the times and places we would meet and produce the advert.

The advert took near to a whole day to film and we couldn’t film every all the scenes we had planned due to licensing and law infringement however we improvised and made fast variations to how the advert will outcome and what we’ll need to do to get our final product to as high a standard as our original ideas and vision. In the end we concluded that the audience didn’t need to see the first scene so we cautiously added a sound affect as replacement in order to convey to our audience what the mise en scene is based around and the current plot and storyline behind it; on a whole I believe our outcome was very faithful to the original vision.

What I have learned from this task is how to structure a TV advert whilst acknowledging the pre-preparation needed to write, prepare and carry out an advert. Also I have learned the necessities to making a TV advert.

There are a few things I would do differently, but if I could change anything about my task outcome and pre-preparation I’d most probably:

-Make the shots shorter and easier to edit
I sometimes found the shots were sometimes long, shaky or lacked the effects visualized due to wind sound.

-Have a no tolerance attitude to laziness
After long periods of times, myself and the crew I worked on the advert with felt drained which caused us to be unfocused, lazy and off-task occasionally. This opened my eyes to the importance of breaks and how they can affect some people.

-Make the shots steadier and be more considerate of the subjects and their framing.
Because there were a lot of shots of the subjects moving out of frame sometimes.

-Get the work done faster from an earlier time.
Because it’s more convenient if the work is started on right away (considering any other tasks or errands) and if not able, to find time within the busy schedules to make the advert actually happen.

I’m most proud of the hard work and effort in the extreme cold weather in consideration of the costumes used as well as how the shots came out and how high the quality stayed after exportation and upload.
I’m also proud of how the costumes came together based on improvising.

The advert I believe done a good job of communicating to the product due to the sound effects (sneezing), the story line (needing a tissue)
Compared to a professional television advert, I feel as though opinions would be quite bias because I feel the advert is just as relevant and unique as a more professional advert to the product; especially taking notice of how long, flashy and over-done a lot of adverts can be in my opinion.

Storyboard (Sue)






Kleenex Advert (Sue)

Sunday, 10 February 2013

Unit 26: Task 3 (Barrington)

WOW!

There are so many different types, genres and styles of filming which can all be structured differently, done differently and come in different forms, for example.

Short films: Imagine a short film as a compressed long film. This means it can hold just as much information but within a shorter period of time. This type of film has a short running time; the Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of 40 minutes or less, including all credits". However, a feature films: A feature film is a film with a running time of 40 minutes or longer and an independent film: "An independent film is a professional film production resulting in a feature film that is produced mostly or completely outside of the major film studio system. In addition to being produced and distributed by independent entertainment companies, independent films are also produced and/or distributed by subsidiaries of major film studios. Independent films are sometimes distinguishable by their content and style and the way in which the filmmakers' personal artistic vision is realized. Usually, but not always, independent films are made with considerably lower film budgets than major studio films"

These films optionally can choose between high or low budgets from as little as no budgets to budgets reaching millions or even billions.

Budgets can come from a variety of places, Nowadays they can come from more or less anywhere from private investors to sponsors, bank loans or even your own family and friends; commonly involving contracts.

Film makers use a range of technologies ranging from electronic technology e.g. cameras, camera accessories, editing software, props, communication enabling devices, lights. or scripts, storyboards etc.

The procedures to making a film all starts with the concept. which is the foundation a film-makers uses to build their ideas and expand and create their script. After comes the script in which they write out their stories along-side the dialogue (if used) before moving on to their story boards which can be made individually or in a group.
After comes the film funding, once acquired the Cast & crew arrange their scheduling and shooting the script. Call Sheets highlighting the times, places, hazards and locations is made and lastly they gather the equipment and begin shooting. It can be harder or easier depending on what the group or individual already have, the experience levels and how fast they can get it done as well as to what standard. Films can spend from a day to forever to get planned and finished. Once finished, they're sent of to the distributor if they are being released (after the marketing and exchange has taken place). This can be local cinemas, websites etc. The procedures needed are usually contracts upon contracts and many meetings with the filmmakers as well as the companies, sponsors and investors who are taking part.

Films sometimes release short behind the scenes clips and videos in which they bring the audience into the feel of the environment and show how the film is being made with, sometimes words and interviews with the cast & crew (most likely during the filming).








Monday, 4 February 2013

Vertigo Films (Barrington) Task 3


Vertigo Films  


"Vertigo Films is a British film production and film distribution company based in London, England.
Vertigo Films has been responsible for the production and distribution of Bronson, StreetDance 3D and Monsters.
Vertigo Films was created in 2002 by producers Allan Niblo (producer of Human Traffic and South West 9),
James Richardson (producer of Kiss Kiss (Bang Bang)), director Nick Love (screenwriter and, prior to company
formation, director of Goodbye Charlie Bright and The Football Factory),
distributor Rupert Preston (distributor of Chopper, Chasing Amy and Bride of Chucky, among others),
and entrepreneur Rob Morgan. The company was formed for the express purpose of distributing and producing two films, T
he Football Factory and It's All Gone Pete Tong; its current stated goal is to produce and distribute four films per year". (Quoted from a Wikipedia search)

StreetDance is a typical example of Vertigo's working history. They managed to gain a wider range audience which can  seem to apply to most types of viewers
This is done in my opinion through the use of music in the film's primary story-line and key foundation to how the film has been structured and pictured as well as visually drafted and planned to carry out the story. As music is one of life's
elements which we as people have little control over our choice in terms of audience consumption (Plainly because music is the pattern of silence and sound),

This means it's only natural for our ears to listen to and feel a part of the films catchy dance music and story's thumping bass lines; as well as all of it's verbal promotion and visual advertisments.
Predominantly the audience for Street dance I believe is more of a younger aged viewer, due to the diversity in operation, creativity and imaginative ability found in younger audiences.
This gives the film an almost inspirational potential in it's distribution and audience consumption.
However, 'Top Cat: The Movie' received awful reviews and feedback for looking "Trashy, Cheap" and being quoted as "The disaster of the year" by the Guardian's Peter Bradshaw to name few, yet still managed to have a box office of around 15m (http://en.wikipedia.org/wiki/Top_Cat:_The_Movie). An appropriate audience range in my opinion would be a mixture of adults of age 30-50 and youth aged 7-12. 

I feel this is because Top Cat is an old enough film for adults globally to know of it's episodes and impact on their own childhoods. Parallel to that, it's also a cartoon which can still be found in today's television
but with a newer and more modern audience (The children of today).

How they have reached their audience with this example (Top Cat) is through the audiences trust in the product, assuming that if they had the imagination to watch the episodes, that the movie would prove big and be well worth the money and time.

One of Vertigo's key professions which help make them able to stand out from it's competitors is it's accessibility to making 3D films and the consistency of which they produce them.

Task 2 (3) (Sue)

http://www.slideshare.net/KBThePhotographer/product-presentation-sue